
This year P+S TECHNIK takes a great leap forward in the digital revolution: The 16Digital SR Mag is going to bridge the gap between both the film and digital worlds
Ian Burton filming for the adventure documentary ‘The Asgard Project’
Mark Payne-Gill road tests the RED ONE as a wildlife documentary camera in the field
Martin Dohrn salutes the Canon 300mm f2.8L
David Spear's review of camera test at the Watershed, Bristol
Read Sandesh Kadur's field review of the Canon 5D Mark II, the much anticipated sucessor to the Canon 5D.
Adrian Warren's views on aerial filming techniques, focussing on some of his own preferred methods.
Alastair MacEwen filming snow monkeys in the hot springs of Jigokudani
Ian Burton on filming the new multi award winning climbing film from producer Alastair Lee and Posing Productions
There’s a little bit of the Indiana Jones in all of us... Robin Smith dons his best Fedora and heads for Sierra Leone
Doug Allan's thoughts on how we make our living
John Waters intimate account of filming the worldwide hit series Meerkat Manor
Filming in Northern India for the BBC's Ganges Series - an article by John Brown
Filming in California’s Sierra Nevada Mountains, an article by Andy Shillabeer.
Ian Burton picks up the award at Leicester Square Odeon .
The story behind ‘Moose on the Loose’, an article by John Brown.
Filming in one of the hottest places on Earth.
Ian Burton on the trials and tribulations of filming in Pakistan.
A brief diary from John Brown on filming meerkats in the Kalahari Desert.
Some light-hearted personal observations on the need to stay versatile and diversify.
So you want to be a Camera Assistant? Follow these simple guidelines and give yourself a flying start.
A tale of a close encounter with a snake while filming in an Aardvark burrow.
Protecting your ideas, ingenuity and specialist knowledge from inquisitive minds.
Read the lowdown from John waters filming the 'Forests' episode of BBC's forthcoming "Planet Earth" series in Poland.

This year P+S TECHNIK takes a great leap forward in the digital revolution: The 16Digital SR Mag is going to bridge the gap between both the film and digital worlds
Soon, you’re able to transform your Arri 16SR Film Camera into a state-of-the-art Digital Cinematography Camera. With the 16Digital SR Mag, your Arri 16SR camera will be able to shoot up to 60 fps, with a sensor resolution of 1920 x 1080, to HD RAW files. Designed for versatility, the 16Digital SR Mag combines the intuitive user interface known from film with fast and convenient digital workflow advantages. The camera works just as usual – except for there’s no film stock in the magazine, but a digital device allowing the operator to shoot and digitally capture on set. The optical viewfinder remains intact, and you’ll be able to use all your 16mm PL mount lenses. Of course, you’ll be able to easily switch back and forth from film to digital because all changes are non-destructive and completely reversible.
“The migration from film to digital is an important challenge for our customers. P+S TECHNIK faces this challenge and combines innovative steps forward in Digital Film and High Definition. No other camera model on the market gives you the freedom to shoot and capture Digital Film, High Definition and analogue film”, said Michael Erkelenz, Manager Business Unit Digital Capturing at P+S TECHNIK.
The 16Digital SR Mag is designed for all kinds of applications and shooting situations you are used to from 16mm film, e.g. documentaries and independent films. The power supply of the 16Digital SR Mag is performed through the Arri SR camera itself, external power supplies for the 16Digital SR Mag are not necessary.
Saving their investments in film equipment is especially interesting for rental houses, film universities and production facilities, which are able to keep using their existing 16SR bodies and accessories and can utilize the following features:
- Operation through existing camera interface
- 16mm lenses and accessories
- Original optical viewfinder
- Standard removable storage (such as SSD)
- HD-SDI video assist (flickerfree)
Besides this, the 16Digital SR Mag includes an innovative and convenient wireless operation concept via smart phones (iPhone, BlackBerry etc.), net- and notebooks.
The 16Digital SR Mag 2/3” CMOS sensor with full native HD resolution makes available both the lossless CineForm 10 bit RAW and CineForm 4:2:2 10 bit HD formats. CineForm formats recorded on standard removable SSD storages allow for an easy and direct access to various digital post production workflows. An efficient and convenient workflow for the 16Digital SR Mag is ensured by several well-known partners such as AJA, Cinegy, Digital Vision, DVS, Iridas, Quantel and Pomfort.
To take maximum advantages of the digital world the 16Digital SR Mag is delivered with DigiRushes software that offers a complete workflow solution for digital dailies processing (quality control, media management and transcoding for RAW and HD workflows). The P+S TECHNIK 16Digital SRushes workflow software is a joint development of P+S TECHNIK and Pomfort.
The first field test units featuring the final design are manufactured and assembled and are working very well during beta-testing. Just visit us at NAB at booth C5348 in the Central Hall and convince yourself!
P+S Technik will deliver the 16Digital SR Mag in Q3 2010. The basic unit includes the 16Digital SRushes workflow software and excludes recording media. Please contact your local P+S TECHNIK dealer for complete pricing information.
As soon as we have further announcements regarding the 16D SR Magazine we’ll let you know.
For more information and to join a mailing list to receive further updates visit www.pstechnik.de
Author: Simon Schleidt, Technical Sales, P+S Technik. Posted: 17/08/2010 10:56:58